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This very popular piece has been arranged many times for various instruments. This version for four clarinets alternates between the chorale theme and the wandering countermelody that has made this piece so famous. All parts get a chance at both the countermelody and the chorale.

Here is J. S. Bach's most famous fugue arranged for 6 flutes. Great independent parts for all players make this fun to play and a challenge.

This third concerto was originally written for 3 violins, 3 violas, 3 cellos, and basso continuo, but is now arranged by David Marlatt for five clarinets and bass clarinet. This grouping of choirs of instruments in threes creates a balanced sonority. There are lots of notes for all players---a fun challenge for an advanced ensemble.

Bach wrote many cantatas but none have maintained the popularity as this excerpt from No. 140 often called Sleepers Awake." This is most likely due to the elegant, flowing nature of the writing that is so distinctly Bach. The solo part alternates the sustained line with the more technical line which provides interest in sound and interest in playing. "Wachet Auf" from Cantata 140 is arranged by David Marlatt for saxophone quartet (AATB).

The famous Jig Fugue by Bach is a favorite with organists. It is lighthearted and energetic with its rollicking triple meter. Great parts for all players keeps everyone active in this Baroque gem arranged by David Marlatt for brass quintet.

This is the most famous movement from the Orchestral Suite No. 3. The beautiful melody flows throughout the ensemble giving everyone something interesting to do.

Several of the favorite and standard trumpet excerpts come from J.S. Bach's Christmas Oratorio. This arrangement of the opening Chorus is for 3 trumpets, organ (with optional timpani). Piccolo trumpet parts have been provided in this edition.

This difficult but rewarding arrangement of one of Bach's most famous keyboard works is sure to impress audiences everywhere. If Bach was alive today, he would surely have considered writing for the versatile sound of a mixed woodwind ensemble! Italian Concerto Movement I has been arranged by David Marlatt for interchangeable woodwind ensemble.

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A fairly common practice in the Baroque era was for organists (especially the great J. S. Bach) to borrow" and transcribe orchestral music from themselves or other composers to create spectacular organ solos. Bach adapted several works by Vivaldi such as this Concerto in D "Grosso Mogul" originally for solo violin and strings. The organ and brass pass the musical material between them and sometimes double at the octave to create a powerful eff...

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